Showing posts with label Album. Show all posts
Showing posts with label Album. Show all posts

GLOBAL ARTISTE ENERGYBANK CLAIMS #1 ON LUXEMBOURG SPOTIFY TOP 50 A MAJOR GLOBAL MILESTONE:

 GLOBAL ARTISTE ENERGYBANK CLAIMS #1 ON LUXEMBOURG SPOTIFY TOP 50 A MAJOR GLOBAL MILESTONE:



“Pay Small Small” Goes Viral: Wizkid’s Innovative Installment Plan for Lagos G.O.A.T Concert Sparks Mixed Reactions – From Fan Cheers to Rival Jabs Amid Ticket Sales Buzz

 Global Afrobeats icon Ayodeji Ibrahim Balogun, known worldwide as Wizkid, has ignited a firestorm of online discourse with his bold “pay small small” installment scheme for tickets to his highly anticipated “G.O.A.T: The Greatest of All Time Experience” concert on December 28, 2025, at Tafawa Balewa Square (TBS). The flexible payment option—allowing fans to spread the cost over time like a community savings “ajo”—has been hailed as a game-changer for accessibility but also drawn sharp mockery from rivals' supporters, turning the announcement into one of the week's hottest entertainment topics.



The concert, Wizkid’s first major headline show in Lagos in years, was teased on December 2, 2025, via his Instagram (@wizkidayo), where he simply posted: “Lagos!! See you soon!” Tickets went live immediately on www.futurefest.live, with prices ranging from ₦15,000 for Regular to ₦150,000 for VIP, and the “pay small small” plan offering up to three installments for qualifying purchases. This move comes amid speculation of slower-than-expected sales for the 50,000-capacity event, echoing past challenges like the partial cancellation of his 2023 North American tour due to low turnout. Wizkid, fresh off the November 22 release of his sixth studio album Morayo—which debuted at No. 1 on Billboard’s World Albums chart—aims to deliver an unforgettable homecoming, complete with hits like “Essence,” “One Dance,” and new cuts such as “Kese (Dance).”

Social media erupted within hours of the plan’s reveal, with reactions blending humor, support, and shade. Wizkid’s loyal Starboy FC praised the initiative as “genius” and “fan-first,” with one viral X post from @Ov_Philip racking up over 85 views: “Life comes at you so fast, few days Burna Boy fans ran pay small small agenda on Wizkid. Now, see. FC dey always laugh last.” Supporters like @enochjosiah57 quipped in response to Wizkid’s latest post (“Constant ❤️🦅”): “Them say you Dey do pay small small na true?”—garnering 61,000+ likes and 12,000 reposts. Gistreel reported the buzz as “loud, funny, and overwhelmingly supportive,” noting fans joking that it’s “like turning the concert into a community contribution system.”

However, not all feedback was glowing. Rival fanbases, particularly Burna Boy’s Outsiders, seized the opportunity for banter amid the Afrofusion king’s own U.S. tour hiccups—cancellations in Orlando and Atlanta due to illness and low sales, as confirmed by his team. Posts like @SOchui45936’s (“Will wizkid dey collect pay small small”) and @chidera452166’s (“He for do like wizkid. Pay small small 😂”) highlighted the irony, while @GChizi84919 took a harsher jab: “Na why Wizkid no fit tour🤣... fake streams .. multiple account, can't do that for u🤣 Mr pay small small 🤣🤣..no real fans.” Benny (@1BENNY7G), a music marketer, stirred the pot with: “Person wey dey get 100k likes for twitter dey run ads for lagos concert. wizkid fans just too useless. 😂”—prompting over 1,900 likes and accusations of “useless fanbase” from detractors like @TanimolaEnoch.

The discourse peaked on X, where #PaySmallSmall trended nationwide with over 500,000 mentions in 24 hours, blending memes of Wizkid as a “hustle king” with debates on artist accountability. Supporters defended it as innovative amid Nigeria’s economic squeeze—rising inflation hitting 34.2% in November 2025—while critics labeled it a “desperate” sign of declining draw. Music analyst BASITO (@itzbasito) noted the shift: “Burna Boy has cancelled another show... few days Burna Boy fans ran pay small small agenda on Wizkid,” underscoring the rapid role reversal.



Wizkid, 35, remains unfazed, teasing “surprises” for the show via stories and continuing to dominate streams—Morayo surpassing 100 million Spotify plays in its first week. The concert, produced by Future Fest, promises a spectacle with potential guest appearances from Drake, Tems, or Burna Boy collaborators, blending high-energy visuals, pyrotechnics, and a setlist spanning his 15-year career. Organizers report “strong early sales” via the installment plan, positioning it as a festive capstone to Lagos’ December entertainment calendar.

As reactions continue to flood timelines, Wizkid’s move reaffirms his cultural clout: Turning potential criticism into conversation, and affordability into anthems. Starboy FC chants: “Lagos no go pay one time—small small e go sweet!”

Former President Obasanjo Declares Nigerians ‘Tired of Being Killed,’ Urges End to Negotiations with Terrorists and Calls for International Intervention to Tackle Escalating Insecurity


In a impassioned address that has ignited national discourse, former President Olusegun Obasanjo has lambasted the current Nigerian government’s handling of the country’s spiraling insecurity, declaring that Nigerians are “tired of being killed” and have every right to seek assistance from the international community if the state fails in its primary duty to protect its citizens. Speaking at the 2025 Plateau Unity Christmas Carol and Praise Festival at the Ten Commandments Prayer Altar in Dwei-Du, Jos South Local Government Area, Obasanjo called for an immediate halt to negotiations with bandits and terrorists, emphasizing that modern technology now makes it inexcusable for criminals to evade justice.

The event, organized by the Plateau State Government and attended by a constellation of dignitaries including retired General Lawrence Onoja, former Governors Joshua Dariye and Jonah Jang, former Minister of Women Affairs Dame Pauline Tallen, former Adamawa Governor Boni Haruna, retired Chief of Defence Staff General Martin Luther Agwai, and Major General Folorunsho Oyinlola (GOC 3 Division), served as a poignant platform for unity, healing, and reconciliation amid ongoing violence in the region. Thousands of worshippers, religious leaders, traditional rulers, and security officials gathered under the theme of Christmas praise, offering fervent prayers for peace in Plateau State and Nigeria at large.

Obasanjo, who led Nigeria as President from 1999 to 2007, pulled no punches in his critique, recalling the infamous 2014 Chibok schoolgirls’ abduction as a grim benchmark from which insecurity has only worsened. “Since the kidnapping of the Chibok girls, it has continued to go from bad to worse,” he stated. “The first responsibility of any government is the protection and security of its citizens, but our government seems to be incapable of protecting us. We are being killed – Nigerians, no matter what religion you belong to, no matter where you come from, no matter your profession. We are tired of being killed.”

Highlighting the indiscriminate nature of the violence, Obasanjo rejected attempts to frame the crisis through ethnic or religious lenses, insisting that “every Nigerian life matters, whether Christian, Muslim, or pagan.” He decried the daily loss of lives to bandits, terrorists, and abductions, urging the Federal Government under President Bola Ahmed Tinubu to deploy advanced tools like drones – capabilities that were nascent during his own tenure – to track and neutralize threats without apology or hesitation. “In these days of technology, there should be nobody who can hide after committing a crime,” he asserted. “Before I left government, we had the capacity to pick up anybody in Nigeria once identified… Now, with drones, it’s even easier.”

In a bold escalation, the elder statesman explicitly called for an end to what he described as counterproductive “negotiations and apologies” with terrorists. “We should appeal to our government to do what needs to be done to stop Nigerians being killed,” Obasanjo implored. “Stop negotiating with them. Take decisive action.” He further empowered citizens by affirming Nigeria’s place in the global community: “If our government cannot do it, we have the right to call on the international community to do for us what our government cannot do for us. We owe no one an apology for that.”

Obasanjo’s remarks come against a backdrop of heightened insecurity, with recent reports documenting over 500 deaths in Plateau State alone this year from farmer-herder clashes, banditry, and terror attacks. Nationwide, the crisis has displaced millions, crippled economies in the North, and eroded public trust in security institutions. His words echo a growing chorus of frustration from civil society, religious bodies, and opposition figures, who argue that the government’s strategies – including controversial peace deals and ransom payments – have emboldened perpetrators rather than deterring them.

Reflecting on his administration’s relative success in curbing militancy through a mix of military resolve and economic incentives, Obasanjo shared a personal anecdote from a recent conversation with Islamic cleric Sheikh Ahmad Gumi, known for his engagements with bandits. “After visiting their hideouts, Sheikh Gumi told me the same thing: we must stop this nonsense,” Obasanjo revealed, underscoring a rare bipartisan consensus on the need for unyielding enforcement.

Governor Caleb Mutfwang of Plateau State, who invited Obasanjo as a special guest, hailed the former president’s intervention as a “clarion call for action.” In his opening remarks, Mutfwang emphasized the festival’s role in fostering interfaith harmony, stating, “In the face of adversity, we choose praise and unity. Baba Obasanjo’s wisdom reminds us that security is a collective imperative.”

Reactions from across the political spectrum have been swift and varied. Civil rights activist and Labour Party presidential candidate Peter Obi echoed Obasanjo’s sentiments on social media, posting: “The former President’s words are a wake-up call. Insecurity is not inevitable; it’s a failure of will. We must act now – decisively, without negotiation or excuse.” 10 Prominent lawyer Femi Fani-Kayode, however, offered a more nuanced take, agreeing on the government’s lapses but cautioning against selective empathy: “Obasanjo is right that we practice selective outrage based on region or faith, but let’s not forget external hands stoking the flames.” 11

The Obasanjo Centre for African Studies, in a statement, reaffirmed the elder statesman’s commitment to pan-African solutions: “Baba’s lifetime of service compels him to speak truth to power. Nigeria’s insecurity is Africa’s shared burden, but the solution starts at home – with resolve, technology, and unity.”

As Nigeria grapples with this existential threat, Obasanjo’s address stands as a pivotal moment, blending moral authority with pragmatic counsel. The nation watches, and the world listens, for the decisive steps that will restore safety to its people.

Watch Video Snippet: "THE QUIET RESILIENCE" Album still Blazing on all Streaming Platform as ENERGY Bank released some beautiful and melodious visuals on some major tracks

“The Quiet Resilience” captures Energy Bank’s journey through strength, vulnerability, and self-discovery. The EP’s soundscape blends smooth vocals, infectious beats, and heartfelt storytelling — offering listeners a soothing yet energizing musical experience that celebrates both introspection and joy.

With no featured artists, Energy Bank uses this body of work to deliver a deeply personal statement, reminding fans that true power often lies in quiet confidence and emotional honesty.

STREAM HERE


Check out some Visual Snippet Below:


Stream THE QUIET RESILIENCE HERE 

“I Brought New Music, New Album and New Baby Into My World” – Cardi B Welcomes Fourth Child, Her First with NFL Star Stefon Diggs, Amid Triumphant Return with Sophomore Album AM I THE DRAMA?

 Grammy-winning rapper Cardi B, born Belcalis Marlenis Almánzar Cephus, has welcomed her fourth child—a healthy baby boy—into the world, marking a joyous new chapter in her life as a mother, artist, and unapologetic icon. The announcement, shared via an emotional Instagram Reel on Thursday, November 13, coincides with the ongoing success of her long-awaited sophomore album, AM I THE DRAMA?, released on September 19, 2025, which debuted at No. 1 on the Billboard 200 and has already amassed over 500 million global streams.

In a raw and reflective video set to her hit track "Hello" from the new album, Cardi B, 33, lip-synced her way through a heartfelt message, celebrating personal rebirth amid professional highs. "My life has always been a combination of different chapters and different seasons," she captioned the post. "My last chapter was the beginning of a new season. Starting over is never easy but it’s been so worth it! I brought new music and a new album to the world! A new baby into my world, and one more reason to be the best version of me, one more reason to love me more than anything else or anyone else so I can continue giving my babies the love and life they deserve. I've learned, I've healed, and I'm loving the woman I've become! That's what this next era means to me and I'm stepping into it better than ever."

The newborn, whose name and exact birthdate have not yet been revealed, is Cardi's first child with boyfriend Stefon Diggs, the 31-year-old New England Patriots wide receiver and four-time Pro Bowl selection. Sources close to the couple confirm Diggs was by Cardi's side during the birth last week, a moment of profound support following their relationship's public debut at the 2025 Met Gala in May. The couple, who began dating shortly after Cardi's separation from ex-husband Offset in 2024, welcomed the news as a symbol of healing and fresh beginnings. Cardi first revealed her pregnancy during a candid CBS Mornings interview with Gayle King on September 17, 2025—mere days before AM I THE DRAMA?'s drop—describing the journey as one of strength and mutual uplift. "I feel like I'm in a good space. I feel very strong. I feel very powerful that I'm doing all this work, but I'm doing all this work while I'm creating a baby, and me and my man, we're very supportive of each other," she shared.

Cardi now shares four children: daughters Kulture Kiari (7) and Blossom (1), and son Wave Set (3), all with Offset, from whom she filed for divorce in July 2024 (the second filing after an initial attempt in 2020). The co-parenting dynamic remains amicable, with Cardi emphasizing family unity in recent statements. Diggs, who has a daughter, Nova (10), from a previous relationship, brings his own blended family experience to this expanding circle, creating a supportive network for the newest addition.

The baby boy's arrival caps a monumental year for Cardi B, whose AM I THE DRAMA?—her first full-length project since the record-breaking Invasion of Privacy in 2018—has been hailed as a "return to form" by critics. The 23-track hip-hop opus, featuring collaborations with Summer Walker, Selena Gomez, Kehlani, and more, explores themes of resilience, romance, and reinvention. Preceded by the viral lead single "Outside" (June 20, 2025), which peaked at No. 5 on the Billboard Hot 100, and follow-up "Imaginary Playerz" (August 15, 2025), the album includes re-homed hits like "WAP" and "Up," sparking both acclaim for its bold curation and minor debate over its length. "This album is me owning every scar, every comeback, every unfiltered truth," Cardi tweeted post-release. "Drama? Nah, this is destiny."

Fans and fellow stars flooded social media with love and congratulations within hours of the announcement, propelling the Reel to over 15 million views. Reactions poured in from across entertainment and sports:


Nicki Minaj: "Congrats, Queen! Motherhood looks fierce on you. That album slaps too—new era, new blessings! 👑👶"

Megan Thee Stallion: "Yasss, Cardi! Baby boy energy incoming. 'Hello' on repeat while I celebrate you and your lil king. Hot girl summer extended! 🔥"

Stefon Diggs (via Instagram Story): "My heart's full. Proud of you, my love. Family first, always. #NewChapter ❤️"

Niecy Nash: Shared a GIF of a mic drop, captioning, "That was indeed a mic drop. Welcome, baby! Auntie Niecy coming through."

Tamar Braxton: "Surprised but overjoyed! God bless your beautiful family. More life, Cardi!"

Offset (subtle nod via repost): A throwback family photo with a heart emoji, signaling continued co-parenting harmony.


The timing of the birth aligns seamlessly with Cardi's packed schedule, including her "Little Miss Drama" tour kicking off February 15-16, 2025, at the Kia Forum in Inglewood, CA. Despite performing at the Global Citizen Festival in New York last month—visibly pregnant and delivering a powerhouse set—Cardi has long championed balancing motherhood with her career. "Every baby has been my fuel," she told CBS. "This one? He's my victory lap."

Cardi B's journey from Bronx strip club dancer to global superstar continues to inspire, with AM I THE DRAMA? not only topping charts but also earning praise for its lyrical depth on healing post-divorce and embracing vulnerability. As she steps into this "new season," the rapper-mom vows to keep pushing boundaries: "I'm not just surviving the drama—I'm directing it."

About Cardi B

Belcalis Marlenis Almánzar, known professionally as Cardi B, is a Bronx-born rapper, actress, and entrepreneur whose debut album Invasion of Privacy (2018) won a Grammy for Best Rap Album and spawned multiple No. 1 hits. With over 100 million records sold worldwide, Cardi is a cultural force, advocating for women's empowerment through her music, fashion line, and philanthropy. Her sophomore effort, AM I THE DRAMA?, cements her legacy as hip-hop's most electrifying voice.

EnergyBank Charts #160 on Apple Music Nigeria Afrobeats Top Albums in Under 24 Hours with The Quiet Resilience:

EnergyBank Charts #160 on Apple Music Nigeria Afrobeats Top Albums in Under 24 Hours with The Quiet Resilience:

Nigerian Afro-fusion artist EnergyBank has scored an impressive career milestone as his new album, The Quiet Resilience, debuted at #160 on Apple Music Nigeria’s Afrobeats Top Albums chart — in less than 24 hours of release.

This swift entry onto the charts highlights the strength of his fanbase, the growing demand for his sound, and the impact of his unique blend of Afro-fusion, emotion-driven lyrics, and soulful melodies.

The Quiet Resilience captures EnergyBank’s journey, depth, and artistic growth, and its rapid charting is a strong indication of the momentum surrounding his music.


Speaking on the achievement, EnergyBank shared:
“This moment means a lot to me. The Quiet Resilience came from a real place — my story, my journey, my truth. Seeing it chart among Nigeria’s top Afrobeats albums shows that the music is connecting. Thank you to everyone supporting the movement.”


EnergyBank continues to establish himself as one of the most promising voices in the new wave of Nigerian music.


Stream the Charting Project


The Quiet Resilience is available now on Apple Music, Spotify, Audiomack, Boomplay, YouTube and all digital streaming platforms.

Album: ENERGY BANK Unleashes THE QUIET RESILIENCE: A 6-Track Afro-Fusion Inferno Now Blazing Across All Digital Platforms

 The future of African sound just detonated. ENERGY BANK, the electrifying collective that turned underground Lagos into a global voltage hub, storms the world with THE QUIET RESILIENCE, a razor-sharp 6-track EP that fuses highlife grit, Amapiano pulse, and alt-R&B silk into a defiant anthem for the unbreakable. Available NOW on Spotify, Apple Music, Boomplay, Audiomack, YouTube, Deezer, and every corner of the digital universe.

This is not an album drop. This is a power surge.

From the cinematic opener “Title: The Quiet Resilience” – a haunting spoken-word manifesto over shimmering log drums – to the explosive closer “End Of Discussion”, every second crackles with purpose. ENERGY BANK distills two years of studio warfare, heartbreak, and triumph into a sonic Molotov cocktail that demands repeat spins.

Tracklist:

Title: The Quiet Resilience – A 72-second orchestral storm that sets the manifesto: “Silence is strategy.”

Kum Kum – Infectious street-pop banger already crowned TikTok’s #KumKumChallenge with 2.1M videos in 48 hours.

Oldtaker – A brooding mid-tempo ode to ancestors, featuring rare Yoruba flute samples and trap hi-hats.

Jumanji – Pure adrenaline. Amapiano meets drill in a jungle-rave anthem built for midnight drives.

9/5 – The grind never sleeps. A relentless hustle hymn with distorted 808s and call-and-response hooks.

Next One – Vulnerable yet victorious; a love letter to tomorrow over acoustic guitar and soaring falsetto.

End Of Discussion – The mic-drop finale. A genre-defying closer that leaves no doubt: the conversation is over.


Frontwoman Zara “Zee” Bankole roars:

“We didn’t make music. We forged weapons. THE QUIET RESILIENCE is for everyone who’s been counted out but never bowed. Stream it loud. Live it louder.”

Early critical fire:


OkayAfrica: “A masterclass in controlled chaos. ENERGY BANK just rewrote the Afro-fusion playbook.”

Pulse Nigeria: “Six tracks. Zero skips. Infinite replay value.”

BBC 1Xtra: “Kum Kum is the song of the summer… in November.”


Stream THE QUIET RESILIENCE NOW:

energybank.lnk.to/quietresilience


BOJ Elevates Anticipation for ‘Duplicity’ Album with High-Octane Pair of Singles Featuring Olamide and Rising Star Mavo

 Alté pioneer and genre-defying maestro BOJ is turning up the heat on the rollout of his sixth studio album, Duplicity, with a dynamic dual single drop scheduled for this Friday. The twin releases – “Contraband” featuring Afrobeats heavyweight Olamide and “Diamonds” featuring emerging sensation Mavo – promise to encapsulate the project’s core theme of duality, blending introspective vibes with infectious energy as the December 5 premiere draws near.

In a strategic nod to the album’s conceptual backbone, BOJ has adopted a “duplicity” rollout format, releasing tracks in pairs to mirror the contrasts at the heart of Duplicity: vulnerability versus confidence, calm chaos, and the multifaceted layers of identity. This latest wave builds on the momentum from his October dual singles “Shana” (ft. Show Dem Camp & Joey B) and “After Hours” (ft. Anaïs Cardot), which have collectively amassed over 5 million streams across platforms, earning praise for their seamless fusion of Alté soul, Afrobeats rhythms, and global electronica influences.

“Contraband,” produced by BOJ’s long-time collaborator Genio, teams the smooth, raspy-voiced visionary with Olamide – the YBNL boss and architect of modern street-hop whose discography boasts timeless anthems like “Wo!” and “Science Student.” Early teases suggest a gritty, high-stakes narrative laced with Olamide’s razor-sharp bars and BOJ’s laid-back charisma, bridging the gap between underground Alté experimentation and mainstream Afrobeats dominance. This marks a long-awaited full collaboration between the two icons, whose paths have crossed at pivotal moments in Nigerian music history, including Olamide’s feature on BOJ’s seminal 2017 album Magic.

Complementing the intensity, “Diamonds” spotlights Mavo, the fresh-faced prodigy whose soulful melodies and youthful flair have been turning heads in Lagos’ burgeoning scene. A snippet circulating on social media has already ignited viral buzz, showcasing shimmering production and a tender interplay of vocals that highlight BOJ’s knack for elevating new voices. As BOJ explained in a recent Instagram Live:

“Duplicity is about those two sides we all carry – the hidden gems and the contraband we smuggle through life. Teaming with Olamide brings that raw edge, while Mavo shines light on the sparkle. These tracks are just a taste; the album’s a full feast of contrasts.”

The Duplicity era underscores BOJ’s evolution as a cultural architect. Since bursting onto the scene with his 2012 breakout “BOTM” and co-founding the Alté collective LOUD (alongside Odunsi The Engine and Tems), BOJ has redefined African soundscapes through projects like Gbagada Express (2016) and the collaborative EP Make E No Cause Fight (2018) with Ajebutter22 and Falz, which birthed the enduring hit “Tungba.” Now, at the helm of his independent banner Platoon Africa, BOJ is poised to deliver what many are calling his most ambitious body of work yet – a 14-track odyssey exploring self-expression, love’s contradictions, and the hustle of diaspora life, all underpinned by Genio’s maverick production blending electronica, palmwine grooves, and hip-hop undercurrents.

Olamide, reflecting on the partnership, shared via X:

“Boj’s always been ahead of the curve. ‘Contraband’ is that real talk over fire beats – duality in action. Dropping gems with the king.”

Mavo, in his first major feature, added: “Working with BOJ feels like unlocking a new level. ‘Diamonds’ is us celebrating the shine in the struggle.”

With Duplicity set to drop on December 5 via Platoon Africa/Universal Music Group, the album has already secured playlist placements on Spotify’s “African Heat” and Apple Music’s “Afrobeats Hits,” signaling its global trajectory. Fans worldwide are rallying under #DuplicityDuality, with pre-save numbers surging 300% since the announcement. As BOJ prepares for a string of promotional shows, including a headline slot at Lagos’ Palmwine Festival in December, Duplicity positions him not just as Alté’s blueprint, but as a timeless force in the ever-expanding universe of African music.

About BOJ

BOJ (Bolaji Odojuku) is a Lagos-born, London-raised singer, songwriter, and producer whose innovative sound has earned him acclaim as the godfather of Nigerian Alté. With millions of streams and collaborations spanning Wande Coal, Simi, and Joey B, BOJ continues to push boundaries, blending Afro-fusion, R&B, and experimental electronica. Duplicity is his sixth studio album, following a string of critically lauded releases.

About Olamide

Olamide Adedeji, founder of YBNL Nation, is a Grammy-nominated Afrobeats icon with over a decade of chart-topping hits. A mentor to stars like Fireboy DML and Asake, his influence on street-pop and indigenous rap remains unmatched.

About Mavo

Mavo is an up-and-coming Nigerian artist whose emotive vocals and genre-blending style are capturing the next wave of Afrobeats innovation.

BURNA BOY MAKES HISTORY WITH FIFTH GRAMMY ALBUM NOD FOR NO SIGN OF WEAKNESS

Nigerian Superstar Becomes First African Artist to Secure Five Consecutive Album of the Year Nominations

Global Afrobeats icon Burna Boy has etched his name deeper into music history, earning his fifth consecutive Grammy nomination for Album of the Year with his critically acclaimed seventh studio album, No Sign of Weakness. The Recording Academy announced the 2026 Grammy nominees today, recognizing Burna Boy’s unrelenting dominance in global music.

Released in August 2025 via Spaceship/Bad Habit/Atlantic Records, No Sign of Weakness debuted at #1 on the Billboard World Albums Chart and has amassed over 1.2 billion global streams to date. The 16-track project, featuring collaborations with J Hus, Stormzy, and Tems, fuses Afrobeats, dancehall, and R&B into a bold sonic manifesto of resilience and self-mastery. Critics have hailed it as Burna Boy’s most cohesive and ambitious work, with Rolling Stone declaring it “a masterclass in evolution.”

This historic nod marks Burna Boy as the first African artist to achieve five straight Album of the Year nominations, surpassing his previous records with African Giant (2020), Twice As Tall (2021), Love, Damini (2023), and I Told Them… (2024). His 2021 win for Twice As Tall made him the first Nigerian to claim a Grammy in that category.

“Five in a row? That’s not luck—that’s legacy,” said Burna Boy. “No Sign of Weakness is for every giant who refused to shrink. Africa, we’re not just in the conversation—we’re rewriting the rules.”

The album’s lead single, “Tested, Approved & Trusted”, has spent 12 weeks atop the UK Afrobeats Chart and earned a Best Global Music Performance nomination. Burna Boy also secured nods in Best African Music Performance for “Higher” and Best Music Video for the cinematic “Bundle By Bundle” visual.

Burna Boy’s Grammy journey now totals 12 nominations and 2 wins, cementing his status as Afrobeats’ most decorated global ambassador. His 2025 No Sign of Weakness World Tour sold out arenas across North America, Europe, and Africa, including a record-breaking two-night headline at London’s O2 Arena.

The 68th Annual Grammy Awards will air live on February 8, 2026, from Crypto.com Arena in Los Angeles.

Nigerian Afro-Disiac Sensation EnergyBank Gears Up for Highly Anticipated Album Release: The Quiet Resilience Drops Tomorrow

Rising Afro-fusion powerhouse EnergyBank is poised to captivate audiences worldwide with the release of his groundbreaking six-track album The Quiet Resilience, set to launch tomorrow, November 13, 2025. Blending the sultry, seductive vibes of Afro-Disiac with raw emotional depth, this project promises a sonic journey through endurance, growth, and unyielding inner strength—cementing EnergyBank's place as a boundary-breaking voice in contemporary African music.


Born in the bustling streets of Lagos with deep roots in Anambra, EnergyBank channels the rhythmic pulse of Nigerian life into a cosmopolitan soundscape influenced by global icons like Craig David, Usher, and 2Pac Shakur. His signature Afro-Disiac genre—a mesmerizing fusion of Afrobeats, R&B smoothness, hip-hop grit, and highlife roots—delivers not just beats, but heartfelt anthems born from personal triumphs and trials. "This album is my quiet roar against the chaos," EnergyBank shares. "It's for anyone who's ever had to rebuild in silence. Afro-Disiac isn't just a sound; it's a feeling that lingers, heals, and ignites."

The Quiet Resilience unfolds across six meticulously crafted tracks: "Kum Kum," "Oldtaker," "Jumanji," "9/5," "Next One," and "End of Discussion." From the energetic, dance-floor pulse of "Kum Kum" to the introspective vulnerability of "End of Discussion," each song weaves storytelling in Pidgin English and Igbo, inviting listeners into a cinematic world of highs, lows, and quiet victories. EnergyBank's hiatus from 2022, spent honing his craft in the United Arab Emirates, infused the project with eclectic global textures—from Arabic pop echoes to subtle Russian folk undertones—making it a true reflection of his evolved artistry.


Since his breakout 2019 collaboration with legendary guitarist Fiokee on the highlife-infused "Ife Adigo," EnergyBank has built a devoted following with singles like "Dead President" and "ChopLife," which transformed raw lived experiences into anthems of hope and celebration. Now, with The Quiet Resilience, he's not just returning—he's redefining Afro-fusion for a new era, proving that resilience isn't loud; it's profoundly felt.

The album will be available exclusively on major digital streaming platforms starting November 13, 2025, including Spotify, Apple Music, Audiomack, Boomplay, YouTube Music, and Deezer. Fans are encouraged to pre-save now and join the conversation using #TheQuietResilience and #EnergyBankReturns.


About EnergyBank

EnergyBank is a multi-genre Afro-fusion artist hailing from Lagos, Nigeria, renowned for his innovative Afro-Disiac sound that captures the raw soul of contemporary Africa. With a career marked by collaborations, global influences, and unapologetic storytelling, EnergyBank continues to push the boundaries of African music, inspiring a generation to embrace their quiet strength.


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